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Reminder for TEXTILE ARTS COUNCIL members:
PRIVATE DOCENT GUIDED TOUR of
"Wrapping Traditions: Korean Textiles Now"
Museum of Craft & Folk Art, San Francisco
July 28, 2011 – 1 PM
TAC Advisory Board member and MOCFA docent Barbara Shapiro will lead a small group through this remarkable exhibition. Curated by Chungie Lee, the exhibition looks at traditional Bojagi(Bo-Jah-ki) wrapping cloths and the ways this craft is interpreted today by contemporary artists from Korea and ten other countries (including work by Ms. Shapiro). Traditionally used in formal ceremonies and many daily activities, and fashioned from pieced cloth or paper, contemporary Bojagi varies in medium, size and function. These inspired reinterpretations have transcended borders.
The cost for this special members’ event is $20.00, which includes admission to the Museum of Folk and Craft Art. A portion of your fee benefits the Textile Arts Council.
For reservations, please contact Trish Daly in the TAC office: 415 750-3627 tac@famsf.org
Space is limited
Textiles decorate and signify, disguise and protect, depict stories and enrich ceremonies. Dr. May Weber examines how textiles have been essential to the rituals and traditions of everyday life through objects in her own collection. www.luc.edu/luma.
Some news from fellow textile friends:
Sue Cavanaugh recently received the Lynn Borgman Goodwin Award for Surface Design at Quilt National ’11 for Ori-Kume #20. Her largest (164” x 94”) whole cloth stitch resist shibori piece, Ori-Kume # 22, is on exhibit at the Zanesville Museum of Art, Zanesville, Ohio, through July 14, 2011. www.suecavanaughart.com
Congrats, Sue!
If you're interested in studying shibori with Sue, sign up for her workshop at Art Quilt Tahoe, November 6-11, Lake Tahoe, California. More information and registration may be found at www.artquilttahoe.com.
MANTRA
Work by Michelle Griffiths
Lesley Craze Gallery, London UK
13th April - 14th May 2011
*Gallery open Tues to Saturday, free admission. Free parking Saturdays after 130p
Michelle Griffiths creates decorative textile works by utilising the various actions found within the ancient Japanese textile dyeing technique of shibori
Organized by internationally recognized artist, teacher, and writer, Chunghie Lee, who has studied traditional Korean wrapping cloth extensively, this exhibition is accompanied by a rich public program to include an international symposium, a workshop, a gallery tour, and numerous educational activities.Bojagi (Bo-Jah-ki) were once used in formal ceremonies and daily activities in Korea. Similar to American patchwork, traditional Bojagi was made from simple pieced cloths or papers, which were elaborately embroidered together. Although this folkloric custom continues in the country, now the craft of Bojagi has had a great influence on contemporary artists from Korea and around the world. Bojagi and Beyond brings together contemporary artists from Korea, and ten other countries that are inspired by this Korean folk art. Unlike the traditional form, contemporary Bojagi varies in medium, size, and functions to create a new meaning that transcends borders. Bojagi and Beyond explores both traditional Bojagi, and its multiple reinterpretations in contemporary art.
A bit of inspiration from the disaster in Japan. This is a personal account written by Anne Thomas, who lives in Sendai. Thanks to Masako for forwarding to us. (Originally published online at Ode magazine)
A Letter from Sendai
Anne Thomas 3/14/2011
Things here in Sendai have been rather surreal. But I am very blessed to have wonderful friends who are helping me a lot. Since my shack is even more worthy of that name, I am now staying at a friend’s home. We share supplies like water, food and a kerosene heater. We sleep lined up in one room, eat by candlelight, share stories. It is warm, friendly, and beautiful.
During the day we help each other clean up the mess in our homes. People sit in their cars, looking at news on their navigation screens, or line up to get drinking water when a source is open. If someone has water running in their home, they put out a sign so people can come to fill up their jugs and buckets.
It’s utterly amazingly that where I am there has been no looting, no pushing in lines. People leave their front door open, as it is safer when an earthquake strikes. People keep saying, “Oh, this is how it used to be in the old days when everyone helped one another.”
Quakes keep coming. Last night they struck about every 15 minutes. Sirens are constant and helicopters pass overhead often.
We got water for a few hours in our homes last night, and now it is for half a day. Electricity came on this afternoon. Gas has not yet come on. But all of this is by area. Some people have these things, others do not. No one has washed for several days. We feel grubby, but there are so much more important concerns than that for us now. I love this peeling away of non-essentials. Living fully on the level of instinct, of intuition, of caring, of what is needed for survival, not just of me, but of the entire group.
There are strange parallel universes happening. Houses a mess in some places, yet then a house with futons or laundry out drying in the sun. People lining up for water and food, and yet a few people out walking their dogs. All happening at the same time.
Other unexpected touches of beauty are first, the silence at night. No cars. No one out on the streets. And the heavens at night are scattered with stars. I usually can see about two, but now the whole sky is filled. The mountains are Sendai are solid and with the crisp air we can see them silhouetted against the sky magnificently.
And the Japanese themselves are so wonderful. I come back to my shack to check on it each day, now to send this e-mail since the electricity is on, and I find food and water left in my entranceway. I have no idea from whom, but it is there. Old men in green hats go from door to door checking to see if everyone is OK. People talk to complete strangers asking if they need help. I see no signs of fear. Resignation, yes, but fear or panic, no.
They tell us we can expect aftershocks, and even other major quakes, for another month or more. And we are getting constant tremors, rolls, shaking, rumbling. I am blessed in that I live in a part of Sendai that is a bit elevated, a bit more solid than other parts. So, so far this area is better off than others. Last night my friend’s husband came in from the country, bringing food and water. Blessed again.
Somehow at this time I realize from direct experience that there is indeed an enormous Cosmic evolutionary step that is occurring all over the world right at this moment. And somehow as I experience the events happening now in Japan, I can feel my heart opening very wide. My brother asked me if I felt so small because of all that is happening. I don’t. Rather, I feel as part of something happening that much larger than myself. This wave of birthing (worldwide) is hard, and yet magnificent.
Thank you again for your care and Love of me,
With Love in return, to you all,
Anne